Carlos Santana Bio, Age, Wife, Maria Maria, Song and Tour

Last Updated on August 7, 2022 by Administrator

Carlos Santana Biography

Carlos Santana About this sound audio is a Mexican and American musician who first became famous in the late 1960s and early 1970s with his band, Santana, which pioneered a fusion of rock and Latin American jazz. The band’s sound featured his melodic, blues-based guitar lines set against Latin and African rhythms featuring percussion instruments such as timbales and congas not generally heard in rock music. He continued to work in these forms over the following decades.

Carlos Santana

He experienced a resurgence of popularity and critical acclaim in the late 1990s. In 2015, Rolling Stone magazine listed him at number 20 on their list of the 100 Greatest Guitarists. He has won 10 Grammy Awards and three Latin Grammy Awards.

Carlos Santana Age

Carlos Santana was born on 20th July 1947, in Autlán, Mexico. He is 71 years old as of 2018.

Carlos Santana Wife

He is a married person as of now. He has been married two times till now. He is now married to Cindy Blackman. Cindy is a famous American Jazz and rock drummer. The couple dated for a while before Carlos Santana proposed to her on 9th June 2010, at a concert in Chicago. Later the same year, they got married on December 19, 2010. Before this marriage, he was in a marital relationship with Deborah Santana. The married couple was married from 1972 to 19th October 2007. During their wedding, they had three children together. They are Salvador, Stella, and Angelica.

Previously, he was in the relationship with Debra Hunter in 1973. They had three children together named William Woodstock, Carlos Jr., and Carly.

Carlos Santana Maria Maria

“Maria Maria” is a song by Santana featuring The Product G&B. The song was produced by Wyclef Jean and Jerry Duplessis. At the 2000 Grammy Awards, the song won the Grammy Award for Best Pop Performance by a Duo or Group with Vocal. Despite other lead singers from the album receiving awards, The Product G&B did not receive a Grammy Award. Marc Anthony also sang on a version of the song.

The song reached number one in Canada, France, Germany, Sweden, Switzerland, and the United States. In the latter country, it stayed at the top of the Billboard Hot 100 for 10 weeks, fending off competition from Faith Hill, Toni Braxton, and Marc Anthony. In 2008, in honor of the 50th anniversary of the Hot 100 chart, Billboard compiled its list of the top 100 songs since the inception of the chart in various categories. “Maria Maria” came in at number 96 on the list of the Billboard All-Time Hot 100 Top Songs,[4] and number two on the list of Top Billboard Hot 100 Latin Songs of All Time. Later, it was named the 14th most successful song from 2000 to 2009, on the Billboard Hot 100 Songs of the Decade.
Carlos Santana has collaborated with chef Roberto Santibañez to open five restaurants of the same name, after the song. The majority are located in the San Francisco Bay Area, and other locations are in Arizona and Texas.
Producer Wyclef Jean has revealed that the melody riff was inspired by the Wu-Tang Clan song “Wu-Tang Clan Ain’t Nuthing ta F’ Wit”.

Carlos Santana Images

Carlos Santana Net worth

He has an estimated net worth of $50 million dollars, as of 2019.

Carlos Santana Songs

Maria Maria

Black Magic Woman

Smooth

Oye Como Va

Corazon Espinado

The Game of Love – Main / Radio Mix

Samba Pa Ti

Europa

Evil Ways

Soul Sacrifice

Put Your Lights On

Jin Go Lo Ba

She’s Not There

Why Don’t You & I

Hold On

Just Feel Better

No One to Depend On

Hope You’re Feeling Better

I’m Feeling You

  • While My Guitar Gently Weeps
  • Cry Baby Cry
  • Winning
  • Everybody’s Everything
  • Feels Like Fire
  • This Boy’s Fire
  • Song of the Wind
  • Nothing at All
  • El Farol
  • Guajira
  • Africa Bamba

Carlos Santana Tour

SantanaEvents

  • Thu, Apr 18
    8:00 PM
    Saint Petersburg, FL
    Al Lang Stadium
  • Fri, Apr 19
    8:00 PM
    Fort Lauderdale, FL
    Seminole Hard Rock Hotel & Casino
  • Sat, Apr 20
    7:30 PM
    St. Augustine, FL
    The St. Augustine Amphitheatre
  • Mon, Apr 22
    7:30 PM
    Nashville, TN
    Grand Ole Opry
  • Wed, Apr 24
    8:00 PM
    Alpharetta, GA
    Ameris Bank Amphitheatre (Formerly Verizon Amphitheatre)
  • Sat, Apr 27
    8:00 PM
    Southaven, MS
    BankPlus Amphitheater at Snowden Grove
  • Sun, Apr 28
    7:30 PM
    Rogers, AR
    The Walmart AMP
  • Fri, Aug 16
    Dix, NY
    Watkins Glen

Carlos Santana. Bio, Age, Wife, Maria Maria, Song and Tour Tickets

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Carlos Santana. Bio, Age, Wife, Maria Maria, Song and Tour Black Magic Woman

Black Magic Woman” is a song written by British musician Peter Green, which first appeared as a Fleetwood Mac single in various countries in 1968, subsequently appearing on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK), as well as Vintage Years.

In 1970, it became a hit by Santana, as sung by Gregg Rolie, reaching No. 4 in the US and Canadian charts, after appearing on their Abraxas album. In 2005 the song was covered by ex-Thin Lizzy guitarist Snowy White on his album The Way It Is. In 1996, the song was also covered by Gary Hoey on his album Bug Alley.

The song was also covered by erstwhile Fleetwood Mac member Bob Welch on his 2006 album His Fleetwood Mac Years and Beyond, Vol. 2. Although Welch was not a member of the group at the time of the original recording, he had performed a number of Peter Green’s songs during his time with them.Carlos Santana Guitar

By Alan di Perna

“When it comes to marriage or relationships, I’m a one-person person,” says Carlos Santana, who married his drummer, Cindy Blackman, after proposing to her onstage at a gig in Illinois. “But when it comes to guitars,” he adds, “I’m definitely not a one-guitar person.”

However, Carlos has been pretty brand-loyal over the course of his almost 50-year career. He was a staunch Gibson man in the years following his eponymous band’s debut at Woodstock. The SG he played at that historic 1969 festival didn’t last very long, but one magical Les Paul served him through Santana’s classic golden period, from 1970 to 1972, when he made Abraxas, Santana III, and Caravanserai.

Carlos switched to Yamahas in the mid Seventies, designing his own model in collaboration with the Japanese guitar-making giant. But ever since the early Eighties, he has been one of the foremost advocates of Paul Reed Smith guitars. He rode a PRS to fame on his phenomenal 1999 comeback album, Supernatural, and on many other outstanding recordings. Smith himself will tell you that Santana can be demanding when it comes to guitars. Much like the renowned guitar maker, Carlos has a great ear and can assess a guitar’s tonal virtues after playing just a few notes or chords on it.

“As soon as I hear it, I can tell if it’s gonna be a lamp or something that can go onstage,” he says, and laughs. “You can tell when a guitar sounds all nasal and weird. All you can do with it is wire it up for a light bulb and put a lampshade on it. That’s all it’s good for. It may look nice, but if it doesn’t have the tone I want, I’m not interested. Some people might add a lot of pedals to fix the tone, but that’s not for me. It’s gotta be straight from my fingers to the amplifier. If it don’t sound good like that, you’re not gonna fix it with a mixing board or computers.”

Still, Santana isn’t averse to picking up the occasional Strat or other guitar, as long as the tone is there. His collection of vintage, historic, and downright legendary guitars resides in a vault at his Northern California rehearsal space and office facility. Pulling out some of his finest instruments for Guitar Aficionado’s photo session, he just can’t resist plugging a few into an amp and letting rip.

“That SG wouldn’t stay in tune, so I destroyed it,” he says. “At the time, if I wanted a new guitar, I had to ask the band, ’cause we were all paying for it. The band didn’t want to get me a new guitar, so I destroyed the SG. Then I had to get a new one. This guitar was my main workhorse for at least seven albums. It’s got the tone, the feel. You grab it and it’s ready to go.”

This is the guitar that generated the fiery leads on “Black Magic Woman/Gypsy Queen,” “Oye Como Va,” and, indeed, just about everything else on the classic Abraxas album from 1970, as well as the inspired discs that followed in its wake.

PRS Santana Model Prototype
Master guitar builder Paul Reed Smith began showing Santana his guitars in 1976, just as Smith was launching his business. The instrument that hooked Santana was the legendary Paul Reed Smith Golden Eagle, the first maple-top guitar Smith ever built, owned by Heart’s Howard Leese. Carlos borrowed the guitar to play the leads on his 1981 Zebop! album and fell in love with the instrument. “It had a very rich, low, masculine tone,” he recalls. It was like, ‘Ooh, I’ve been playing a soprano, and this is a tenor.’ ”

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Santana commissioned Smith to start building guitars for him. The guitars that Smith custom-built for Santana in the Eighties would eventually become the basis for the PRS Santana II model. The one guitar that particularly pleased Carlos was the model seen here, known in the Santana camp simply as Number Two.

PRS Santana II “Supernatural”
Of the many guitars that Paul Reed Smith has made for Carlos, this one holds a very special place in the guitarist’s collection. It arrived just as Carlos was beginning work on Supernatural, which would usher in an exciting new phase of his career. Carlos has often spoken of being divinely guided in creating Supernatural, and the guitar’s appearance seems providential.

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Carlos calls it his Red Coral guitar. He knew there was something unique about it as soon as he picked it up. “It was the tonality, the weight of it, and the feel of it,” he says. “And the color: a beautiful orangey, salmon red. A lot of times, the color of a guitar changes the mood for me. And what can you do without the right mood? This guitar really is supernatural. I played most of the Supernatural songs on it. There is the Woodstock guitar and there is the Supernatural guitar. Those are huge doors to walk through.”

1952–’53 Gibson Les Paul
Another historic Les Paul in Santana’s collection is this instrument that belonged to the late blues master Mike Bloomfield. “He was one of my first heroes,” Carlos says. “Before I heard Eric Clapton or Jimi Hendrix, I heard Bloomfield and Elvin Bishop in the Butterfield Blues Band in 1965. So I treasure this guitar.”

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It was Bloomfield who gave Carlos his first shot at notoriety, inviting him onstage to jam at the Fillmore West. The event led to Santana’s discovery by Fillmore owner and entrepreneur Bill Graham.

Also notable is the fact that this Les Paul was originally a gold top and was subsequently refinished with a flame top. In addition to the refinish job, the original trapeze tailpiece has been replaced with a Tune-o-Matic, and humbuckers have taken the place of the original P-90s.

1963 Fender Stratocaster
Carlos picked up this Strat at a Guitar Center sale a few years back. He recalls, “They told me, ‘Some guy in Ukiah [California] had this under his bed for years.’” He bought the guitar on the spot and used it to play his interpretation of “Little Wing” on Guitar Heaven.

Carlos has fond memories of a recent gig at which he played this Strat through Stevie Ray Vaughan’s legendary Dumble Steel String Singer amp.

“When I got this guitar, I had the same dream over and over, where Stevie Ray came to me,” he says. “In the dream, Stevie Ray said, ‘Listen, Carlos, you know where I am, man. I’m not in the body anymore. And where I am, I have no fingers. I’m just pure light. But I miss the sound and feel of my guitar. Please call my brother Jimmie and ask him to lend you my Steel String Singer. I need to feel your fingers through this amplifier.’

“A few nights later, I had the dream again. So I called Jimmie Vaughan and asked to borrow the amp, and he was like, ‘Hell no!’ But then René Martinez, who was Stevie Ray’s guitar tech, had the same dream too. He called Jimmie and told him. Next thing I knew, the amp arrived.

“The amp and the Strat came in time for a gig at Madison Square Garden. I plugged the guitar into the amp at soundcheck, and it was like…whoosh! I said, ‘I wanna play the whole concert with this!’”nta

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